![]() ![]() It is the moment when the devil is one shoulder, the angel on the other, blabbing alternative and opposing courses of action. It is the racked moments of thought when the protagonist is making the decision on what action to take as a result of Conflict. It is the peak emotional point in a story, sequence or scene. The Crisis and the Climax (No.4) often come together. (Remember, there should be crises too in sequences and scenes, chapters and sections but they will have lower stakes.) The third C, Crisis, is the peak of tension in your story. Story is essentially the quest for a return to serenity and stability – conflict and chaos are the obstacles the hero must overcome. Chaos creates its own tension and unsettling disorder that must be resolved over the course of the story. Whatever form it takes, conflict should be a central part of your storytelling.Įven stories seemingly without obvious conflict (in its most recognisable form – confrontation) have a related cousin – Chaos. This Conflict can take many forms – it could be an external struggle between characters, an internal conflict within a character, or even a conflict with society or the environment. Without conflict, there is no tension or drama, and your story will feel flat and uninteresting. C is for ConflictĬonflict drives the action of the story. So, the Catalyst is an important element of storytelling because it introduces the central conflict or problem that the protagonist must face over the course of the story Top of Form. ![]() It can be a dramatic event, such as a crime or a disaster, or it can be a more subtle shift in the character’s circumstances, such as a change in relationships or career. The Catalyst is also known as the Inciting Incident, which sets events in motion. Where has your creativity gone? (And how to get it back).9 brilliant (and practical) tips on how to tell a great story.We, the reader, cannot leave them there, content and untroubled – not if we are to be entertained. Stories are about change and progression: change in perception of ourselves, change in our circumstance.Ī character begins by being perfectly enmeshed in a serene world of their own creation. Walter White must receive a terminal diagnosis. Here are is the first tool you need: a catalyst.įor there to be a story at all, things must change. If your narrative has this sequence of dramatic turning points, then you have a story. It’s about how to construct and structure a story. This is about the nuts and bolts of the craft. Stories hold a unique position of reverence and significance in our human make-up.įor that, they need a specific set of tools and techniques. There’s something about the telling of stories that melts away our resistance and makes us susceptible to the message. That is why effective stories tend to have shared elements that are familiar and help to engage our attention and emotions. They are common to all stories, cultures, and time periods. Story forms are believed to be hardwired in our brains. Whether you are writing a novel, screenplay, or even just telling a story to a friend, the way you structure your narrative can have a big impact on its effectiveness. Storytelling is a powerful tool for engaging and captivating an audience. Plus, there’s a bonus 2 Cs if you want to better understand storytelling. Use these 5 Cs to create a compelling story from sequences or scenes. ![]()
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